http://www.cinema-poet.com

Interview with Malaysian film maker: U Wei Bin Haji Sari conducted by film critic Lalit Rao on 19/07/2004 in New Delhi during 6th Cinefan Asian Film Festival 2004

Lalit Rao: How would you define your new film “Swing my swing high, darling” ?

U Wei Bin Haji Sari: I feel that one way of looking at my film “Swing my swing high, darling” is that it tells a story of people who are angry with their fate. Some of the people just follow their fate like the old man in the film. Broadly speaking, my film deals with how ordinary people deal with their fate.

Lalit Rao: This film is different from your other films. Why this change of style ?

U Wei Bin Haji Sari: There have always been similarities and differences between my films. I think that one film is same and other are just variations.

Lalit Rao: What is the current state of Malaysian film industry ?

U Wei Bin Haji Sari: Malaysian film industry is very small in size. We produce about 15 films annually. There are 2 kinds of film making in Malaysia. On one hand we have commercial films which are the usual song and dance stuff. On other hand there are films which question life, reveal life. The audience for such kind of cinema is limited. Malaysian film goers prefer escapist cinema. Even producers want to make more of such kind of films. It is therefore difficult for me to make films even more difficult to make good films as films are an expensive medium.

Lalit Rao: How good has been the response of your films in various International Film Festivals ?

U Wei Bin Haji Sari: My films are more popular at International film festivals. Festival goers have been receptive of my work. But they are not the majority. Festival audience is not mass audience. International film festivals have provided a window for my films to be shown abroad.

Lalit Rao: What has been the role of Mayalsian film government in the promotion of Malaysian cinema ?

U Wei Bin Haji Sari: Malaysian government is slowly becoming aware of cinema’s role. They are trying to assist cinema by helping filmmakers to make their films. They provide finance, easy permit to shoot. There is even more accessibility to shoot in Malaysia. Malaysian government is trying to be more open about censorship. It is also helping filmmakers to exhibit their films. Malyasian government is giving indications that it is going to play a bigger role. I am optimistic by the signals they are giving.

Lalit Rao: What are your views on co production ?

U Wei Bin Haji Sari: Film making is becoming more expensive day by day. I am of the view that co production helps. It is a well known fact that east and west are collaborating together to produce good films. Malaysian government must also try this method of making films. Co production is a result of understanding of two forces.

Lalit Rao: How are young Malaysian film makers making their films ?

U Wei Bin Haji Sari: Young malaysian filmmakers are lucky enough as Digital video is accessible to them. It is much easier for them to get in cinema. Digital video does not intimidate these young film makers.

Lalit Rao: What are your current projects ? Are you working on some film lately ?

U Wei Bin Haji Sari: Well, it is in pre pre production stage with Irish and Australian prodcuers. It is a film set in Borneo.

Home Contact Us Call for articles Editorial Contributors

Advisory Board Articles in English Team cinema-poet

contact@cinema-poet.com

© Cinema-Poet Media Group, 2008-2013 Copyright this business.

All rights reserved.
Hosted by Yahoo!